„The holistic principle of Zita Vilutyte’ painting is based on the search for a modal connection. The expression of a unifying movement is as a pretext to explain the texture of the universe. Such a connection that accommodates showing great visions and strategies, ambitions and plans. And that connection is in the pictorial universe itself, in its twisting whirl, where a separate coded motif twists another motif that complements the existing motif. A leaky and vibrating theme of a joint, it flows or leaks into another vortex. The vortex turns into a cavity, and suddenly the cavity itself turns into an epicenter. It is as if the pulsation of color itself, the pulsation of a shrinking and expanding rhythm, is presented. Such a rhythmic choreography of lines, such a rhythmic, cyclical scroll of broad strokes, is thus moving towards the existing rage in the center of everything, towards the existing epicenter of the breakthrough. Everywhere we notice a certain visual epicenter. The epicenter receding from normal viewing. To clusters, coalitions, opening an ever-increasing epicenter. Such a visual epicenter, it is an expression of the beginning of an archaic arch, an expression that is already alive, has already begun, has already spread. From modernity there is a movement to the original movement, to the forgotten movement waiting for its connection. From the modern closed psyche moving to the anima itself, from the existing self there is a return to the world of connection. Feeling, sensuality, it all has to go back to its origins, to its barrels of fluidity.“

Art Critique by J. Dieliautas